Abstract, noisy, and (in some cases) self-illuminating, these resin and wood sculptures appear makeshift and portable, suggesting an endless series of possible configurations – of different family units, and of different ways of assembling and making.
Family draws on Reddaway’s long-standing interest in representing the human figure, as well as a fascination with the work that goes into “artwork”. Originally exhibited at Jonathan Smart Gallery in 2014 as Some Assembly Required, the sculptures are presented here in different groupings, allowing new relationships to emerge between them and in connection with the viewer.